COPIED
Photo Oyo 1925
During the reign of Aláàfin Onisile (1742-1750), characterized by a military disposition and courage, Sèkèrè became an integral part of the Òyó heritage. Beads were strung around Sèkèrè gourds, creating melodic abrasions, with cowries as the original seed material.
Sèkèrè holds its roots within the esteemed lineage of the Aláàfin of Old Òyó. The narrative unfolds during a time when the Aláàfin and his peers engaged in the Ayò-Olópón game contest. The head of the Sèkèrè drummers paid a visit to deliver the tragic news of the king's beloved son's demise. Crafted by Ológbò and his group, the Sèkèrè, adorned with calabash rattles and containing cowries, relayed the somber message through rhythmic shakes. The king, deeply immersed in the joy of the Ayò game, danced without knowledge of the loss until verbally informed later. From that moment, it became a tradition that Sèkèrè should not be used to convey sorrowful news to any king, as expressed in the saying, "Sèkèrè k ìí ròde ìbánújé," meaning "Sèkèrè is banned from engaging in any sorrowful outing." Aláàfin refrains from mourning.
The Oríkì (Eulogy) of Sèkèrè chants:
"Ajé onírè kò kúkú nírè
O lówó bodé
Towó towó ni Sèkèrè sùn
Towó towó ni Sèkèrè jí
Sèkèrè ò sì kí ròde ìbànújé."
In ancient times, Sèkèrè was housed in a corner known as Kòrò Ajé, translating to the corner of prosperity. Today, people keep it in their individual rooms. Aláàfin harbors a deep admiration for Sèkèrè, the musical instrument that accompanies his dance, predating drum beats.
No comments:
Post a Comment